Best of Director John Woo

Continuing my list of favorite Hong Kong directors and their best films, is famed "Gun-Fu" director John Woo (Face/Off, Mission: Impossible II)

John Woo is famous for his gun action films, his trademarks are double wielded guns, ballet-like choreography, slow motion, themes of brotherhood and justice, tragedy and of course doves. Just think of him as the thinking man's Michael Bay. Even though his action is described as "high-octane" and "roller coaster ride", Woo knows hows to inject irony into his films. Whether it be a 'killer' caring for a victim in The Killer or a huge shootout in a hospital in Hard Boiled, all of these conflicting images work in a bigger poetic narrative.

Woo is a master of timing. His action sequences are cut in a way where it flows smoothly, his protagonists know exactly when and where to shoot. Violence is glorified and yet at the same time it becomes a shock to the viewer. We get to see the blood in plain sight and it's not pretty, we can sense the fear and pain in Woo's victims. John Woo has stated that he doesn't encourage violence, this can be apparent in his films when an innocent bystander gets hit with a bullet or the fact that no good comes to any character firing a weapon.

Although John Woo has had a string of critical successes in the late 80s and early 90s, his career has been shaky in the 00s. After the success of Face/Off, Woo could not replicate that with his other American films such as Windtalkers and Paycheck, and several failed attempts at the television industry. Woo later returned to China to tackle a big budget historical war epic with Red Cliff. The film includes Woo's previous themes, in addition 'politics' is something he hasn't tackled before in his films.

Films to watch, pt. 2

One film that I have the most anticipation for is Kelly Reichardt's Meek's Cutoff. Starring Michelle Williams, Paul Dano and Zoe Kazan. Reichardt's previous film Wendy & Lucy, also starred Ms. Williams and that was one of the best independent film I've seen in the past few years. Very meditative and natural in terms of performances, editing and camerawork. I cannot wait to see how the director and actors handle a period piece, and it seems interesting to me that the filmmakers decide to choose the 4-by-3 format to compose their frames. I want to see the reason behind that decision.

Upcoming documentary on fashion photographer Bill Cunningham, titled Bill Cunningham New York

I'm always interested in discovering famous photographers, I love Henri-Cartier Bresson, Robert Frank and William Eggleston, and I discover them through museum trips and trips to the photography section at the Strand Bookstore. Rarely would I chance upon a documentary about them and from what I've seen of the trailer, Mr. Cunningham looks like an exciting figure.

I have a love/hate relationship with Gus Van Sant's films. They're photographed beautifully and the acting and direction is minimal. My problem is that sometimes his films can be a little boring, they meditate too long on its characters or the thought doesn't come through clearly. Examples can be found of Elephant, Gerry and Paranoid Park. Don't get me wrong, I love those films, but they're just a tad bit too long for my tastes. Van Sant is an interesting director in that he studies characters and styles, and he gives off an obsessive quality to his work which makes me respect him.

Restless appears to be a small attempt by the director to make a quirky independent film, like that of Juno or Little Miss Sunshine. This film could've easily been picked up by Fox Searchlight, famous for turning aforementioned indie films into Award winners and Box Office champions. But Sony Pictures got to it first and hopefully they can turn out a smart marketing plan just as Searchlight would.